Best Wide Angle Lens For Nikon FX

Pros

Artistic masterpiece with solid-built quality and ultra-wide-angle zoom.
ED (Extra-low dispersion) glass for sharper stunning images
Nano Crystal Coat to eliminate lens flare, internal reflections, and ghost effects
Silent Wave autofocus motor for fast, quick and accurate autofocus

Cons

A bit heavy in weight and higher cost.

Tamron SP 15-30mm f/2.8 Di VC USD G2

Specifications:

Focal Length: 15 to 30mm
Maximum aperture: f/2.8
Autofocus: Yes
Full-frame compatible ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: Yes
Weight: 2.42 lb / 1100 g

This is an excellent deal for those who enjoy shooting handheld in low light conditions and who require a solid camera with image stabilisation, a constant wide aperture, and optical excellence. Tamron’s G2 lens, which has been updated, is an excellent option for continuing.

Originally introduced in 2014 with image stabilisation and a constant aperture, the older version quickly gained popularity as one of the sharpest lenses available on the market, even outperforming Canon and Nikon optics in terms of sharpness. Now, the company has released an updated G2 version of the same lens, which incorporates new technology and offers improved overall performance. We should point out that the Tamron SP 15-30mm G2 is not particularly lightweight, so those looking for a lightweight lens should proceed with caution. If weight is not an issue for you, however, we recommend it as a reasonably priced lens that will not fail to impress you with its performance, regardless of your budget.

Specifications and performance

First and foremost, the image quality of this lens will provide you with crisp images and footage across the entire range of focal lengths. Tamron has enhanced this lens with the latest optical technology and 18 elements across 13 groups, including three low dispersion elements and an eXpanded Glass Molded (XGM) element. It has a rounded 9-blade diaphragm that produces stunning bokeh, and Tamron has enhanced this lens with the latest optical technology and 18 elements across 13 groups. Tamron’s new AX (Anti-reflection eXpand) coating will aid in the elimination of reflections, flare, and ghosting while maintaining excellent contrast and colour reproduction, according to the company.

In this lens, a VC (Vibration Compensation) stabilisation system will compensate for up to 4.5 stops of camera movement with the help of two dedicated MPUs (Micro-Processing Units); one is used for quick and precise Ultrasonic Silent Drive Auto Focus, and the other is used for VC – Image stabilisation that is responsive.

The bottom line is as follows:

With the SP 15-30mm f/2.8 updated G2 version from Tamron, you can get a great combination for both photographers as well as those who are interested in videography and cinematography. Due to its built-in image stabilisation system, it is ideal for shooting handheld. You won’t have to worry about spending money on expensive fluid head tripods or other accessories because the lens will handle camera jitters and movements.

When it comes to image quality, you will not be disappointed by the new optical lens technology that has been developed. It produces extremely sharp images while also managing to produce good contrast, and because of its weather-sealed and moisture-resistant construction, it can be used in a variety of environments.

The only drawback to this lens is its weight, which is approximately 2.42 lb / 1100 g. If this is too heavy for you, you should consider another option, but the image quality and stabilised footage at such a reasonable price make it worthwhile to invest the time in.

Pros

Moisture resistant built quality
Ultrasonic Silent Drive Auto Focus system for accurate and quick focusing performance.
VC image stabilization up to 4.5 stops for stable shooting.
AX, eBAND and BBAR coating to elements for enhanced contrast and suppressed lens flare and ghosting.

Cons

Heavy in weight.

Sigma 24mm f/1.4 DG HSM Art Lens

Focal Length: 24mm
Maximum aperture: f/1.4
Autofocus: Yes
Full-frame compatible ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: No
Weight: 665 g

When it comes to wide-angle lenses with a focal length of 24mm, there are two options that immediately come to mind: the Nikon 24mm f/1.4G, which costs twice as much as the Sigma 24mm f/1.4 DG HSM Art Lens, and the Nikon 24mm f/1.4G, which costs half as much as the Sigma. Without a doubt, the Sigma Art series of lenses has aggressively taken over the market share of Canon and Nikon lenses Best Wide Angle Lens For Nikon FX.

Sigma has gone overboard when it comes to the price tag, providing such high-quality lens technology that it is worth far more than the asking price. Sigma’s 24mm f/1.4 Art lens has been enhanced with premium three FLD and four SLD glass elements that help to reduce aberrations and distortion issues, which are a common problem with wide-angle lenses in general and with Sigma’s 24mm f/1.4 Art lens in particular.

Specifications and performance

Using 15 elements in 11 groups of optical design, Sigma has created a lens that delivers consistent peripheral sharpness and brightness throughout its focal length range. It is possible to achieve higher contrast and colour fidelity even when shooting at maximum aperture of f1.4 thanks to Sigma’s super multi-coating technology, which is applied to the lens elements as well.

Nikon’s 24mm f/1.4G, which costs twice as much as the Canon lens, has a total of 12 elements in 10 groups, making it the more expensive lens. It is an excellent lens for indoor photography, landscape photography, wedding photography, cinematography, and astrophotography, among other things. Because of the lens’s fast aperture, it performs admirably in extremely low light conditions, and the advanced optical structure of Sigma ensures exceptionally high sharpness and resolution while shooting in low light. While holding this lens in one’s hand, one gets the impression that one is holding a solid metal premium piece of art. Surprisingly, it is not that heavy, weighing only 1.5 lbs. / 665 g.

People’s primary concern is that Sigma’s autofocus is slightly slower than that of Nikon or Canon lenses, but after working with this lens on Nikon mount, one can easily determine that these are simply bubbles and nothing more. However, on Sony mirrorless cameras such as the a6500 or a6300, the autofocus is slightly slower, with a 1 to 2 second delay, but on Nikon mount, this lens absoloutely eliminates that concern. Sigma has integrated an HSM (Hyper Sonic Motor) into this lens to provide a faster, quieter, and smoother autofocusing system, which can also be controlled by manually focusing the lens.

The bottom line is as follows:

Sigma designed this lens with professional photographers in mind, and it shows in the final product. It has created a stunningly beautiful lens with high-quality components that are up to date with today’s needs and specifications. The sharpness of the images produced by the Sigma 24mm f/1.4 HSM Art is outstanding, and the focusing performance of the lens is also excellent. When compared to f/2.8 or f/3.5, a fast aperture such as f/1.4 works like crazy and produces extremely good results. Another advantage is that you won’t have to be concerned about lightning issues because this Art boy will take care of everything for your benefit. Sigma’s 24mm f/1.4 DG HSM Art Series Lens is an excellent choice for professionals, and it makes an excellent companion for Nikon DSLR users.

Nikon AF-S 16-35mm f/4G ED VR Lens

Focal Length: 16 to 35mm
Maximum aperture: f/4
Autofocus: Yes
Full-frame compatible: ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: Yes
Weight: 1.5 lb / 680 g

This lens is intended for those who work in the professional field. First ultra-wide-angle lens from Nikon with a second-generation VR II (Vibration Reduction) image stabilization system, which reduces camera shake by up to 2.5 stops in low-light conditions. It’s a great item to have on your wishlist, especially if you’re a traveler who needs to bring a lightweight lens with them for landscape or nature photography. Nikon has improved this lens with a Nanocrystal coating to reduce flare, and it has been constructed with weather sealing qualities, so shooting outdoors in inclement weather will not be a problem.

Specifications and performance
Due to the fact that the front of the Nikon 14-24mm is not plane, it is not possible to attach a lens filter to it. However, the Nikon 16-35mm ED VR lens allows you to do so, making it a good option for landscape photographers.

Nikon’s 16-35mm lens is also thinner, shorter, and lighter in weight than Nikon’s 14-24mm lens, as well as other competitors in this price range. It weighs only 680g, but the build quality is excellent, with a solid metal feel. It will give you the same premium-built quality feel as Nikon’s expensive big lenses, without the price tag. Regarding image quality, it delivers excellent colour contrast and center sharpness across the entire focal range, but at the long ends of the zoom range, sharpness may suffer a little. The best focal range to use with this lens is around 20mm, as it will produce absolutely stunning results.

It is true that this lens cannot compete with the sharpness and image quality of Nikon’s 14-24mm, but that is precisely why Nikon charges such a high price for that beast. Nikon’s 16-35mm is a dependable and high-quality product that incorporates the latest optical technology features, such as the Silent Wave autofocus motor and VR image stabilisation system, as well as Nikon’s VR image stabilisation system. This lens can also be used with Nikon DX cameras, and with such a reasonable price tag, it is a lens that should be included in any photographer’s camera kit.

Conclusion

The Nikon AF-S 16-35mm f/4G ED VR is a solidly constructed Best Wide Angle Lens For Nikon FX lens that incorporates the latest technological features such as VR image stabilisation, a Silent Wave Motor for fast and accurate focus, weather sealing, Nanocrystal coating, and two ED (Extra-Low Dispersion) glass elements and three aspherical lens elements that contribute to the creation of stunning sharp images with high resolution. It is also a lightweight lens that is compact in size.

Pros

Can be used with DX models also
Three aspherical elements to reduce distortion.
Nano Crystal Coat
Silent Wave Motor for silent and accurate focus system
Light in weight
VR II (Vibration Reduction) image stabilization system

Cons

It may drop sharpness at long ends, but overall, it delivers a really good performance.

Nikon AF-S Fisheye Nikkor 8-15mm f/3.5-4.5E ED

Focal Length: 8 to 15mm
Maximum aperture: f/3.5 to 4.5
Autofocus: Yes
Full-frame compatible: ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: No
Weight: 1.1 lb / 485 g

This one-of-a-kind piece of art is designed for professionals who want to have a creative and distinct look in their footage to show off their artistic work. Nikon’s 8-15mm is a unique piece of art designed for professionals who want a creative and distinctive look in their footage to show off their artistic work. It is both a fisheye and a zoom lens designed specifically for zooming by Nikon, with a focal length ranging from 8mm to 15mm and a 1.9x super wide-angle zoom. It has a focal length between 8mm and 15mm and a zoom ratio of 1.9x. It is possible to create a full-frame fisheye image and a complete circular effect with this type of lens when using a focal length of 15mm.

Specifications and performance

Nikon has constructed it from high-quality premium materials and thoroughly sealed it to ensure that dust particles and moisture do not cause any damage to the lens in any way. Additionally, Nikon’s three ED glass elements, a Silent wave motor for a better focus system, and a Nanocrystal coating are included, and it has excellent control over chromatic aberrations, according to Nikon. By opting to use a fisheye lens rather than a super wide-angle lens, you will be able to capture objects that are closer to the edge of the frame without the image stretching out.

Nikon’s latest AF-S Fisheye Nikkor 8-15mm ED lens has virtually eliminated the need for any of the company’s older fisheye lenses that had previously been produced. In terms of corner sharpness, this device will astound you with its excellent image quality.

The bottom line is this:

It is not an everyday lens, but if you are looking for something creative, more ultra-wide, and capable of producing a dramatic and unique looking effect in your footage, then this fisheye lens is exactly what you are looking for. It has a wide field of view and an exceptional zoom range, and when it comes to image quality, it performs admirably in that department as well.

After using it, you will be impressed with its extremely sharp and well contrasted images at almost all focal lengths, and you will not experience any issues with lens flare or ghosting even when shooting in bright sunlight. As a result, in our opinion, it is a good lens to use in conjunction with your Nikon camera equipment in the category of fisheye lenses.

Pros

Great image quality
Extremely sharp
Solid built quality and sealing

Cons

Price is high

Nikon AF-S NIKKOR 20mm f/1.8G ED

Focal Length: 20mm
Maximum aperture: f/1.8
Autofocus: Yes
Full-frame compatible: ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: No
Weight: 12.5 oz / 355 g

It is one of Nikon’s fastest ultra-wide-angle lenses, and its f/1.8 aperture makes it suitable for a wide range of shooting situations in a variety of lighting conditions. It also offers excellent control over depth of field. With an f/1.8 lens, there is no need to be concerned about low light conditions because this lens is capable of dealing with difficult lighting conditions.

Specifications and performance

In addition to providing beautiful color correction, the Extra-low Dispersion (ED) elements in this lens also manage to deliver extremely high levels of sharpness while simultaneously reducing chromatic aberration. As with Nikon’s other high-end lenses, the 20mm has a Nanocrystal coating to eliminate flare and ghosting issues that can occur when shooting in low light. The Nikon Super Integrated Coating (SIC) increases the efficiency of light transmission.

The lens is equipped with Nikon’s Silent wave motor, which provides a smooth, fast, and accurate focusing system. Solidly constructed, with a metal mount and a rubber gasket on the lens mount for improved sealing, which significantly reduces the amount of dust that gets into the camera’s optical system.

The bottom line is as follows:

It’s a good lens for someone who is satisfied with a 20mm focal length and who requires something fast and ultra-wide-angle. The best thing about this lens is that it is lightweight and portable, making it one of the lightest wide-angle lenses available. It weighs only 355 g, making it one of the lightest lenses available in the wide-angle category.

Anybody who enjoys photography or videography as a hobby or a profession should consider purchasing this lens because it will perform admirably in almost every situation and, with a focal length of 20mm, one can capture a wide range of subjects and subjects can be seen clearly.

Pros

Can also be used with DX models also
f/1.8 maximum aperture for low light conditions
Nano Crystal and Super Integrated Coatings
Silent Wave Motor for precise and quick focus.

Cons

Well, I tried hard to find a con but was not able to find anything worth notifying. So, in my opinion, it’s a well-made, good quality lens in an affordable price range.

Sigma 12-24mm f/4 DG HSM Art Lens

Focal Length: 8 to 15mm
Maximum aperture: f/4
Autofocus: Yes
Full-frame compatible: ‎: ‎Yes
Lens Mount: Nikon F
Image stabilization: None
Weight: 2.53 lb / 1150 g

The majority of professional photographers find themselves in need of an ultra-wide-angle lens with a variety of focal lengths and, more importantly, one that does not produce fisheye lens effects. Zoom designed wide-angle lenses perform admirably when we are unable to get close to or move away from our subject. This one is from the Sigma Art series, which is designed to be used in a variety of shooting situations.

The difference in focal length between a 12mm lens and a 14mm lens doesn’t appear to be significant, does it? What about the difference in aperture? The reality is that when you take a photograph with a focal length of 14mm and then 12mm, you will notice that it has a significant impact on the view.

Specifications and performance

When it comes to sharpness and image quality, the Sigma art series has never let their customers down, and the same is true for this model. When using sigma, users have never complained about any issues with sharpness or contrast. Throughout the entire zoom range, this lens is capable of delivering excellent centre sharpness at all aperture settings. This lens is ideal for landscape and architecture photographers because it allows you to create stunning images with no distortion, which is great news for them.

Sigma has improved it by applying a super multi-layer coating to it, which reduces flare and ghosting while producing images with high saturation and contrast under a variety of lighting conditions. This lens will be able to focus accurately and quickly thanks to the Hyper Sonic AF motor. In order to provide greater exposure control while working at high continuous shooting rates, Sigma has designed this lens with an electromagnetic aperture mechanism.

The bottom line is this:

With a variety of wide-angle focal lengths that are not available in other wide-angle lenses of the same quality, this lens represents excellent value for money. In a variety of situations where the ability to zoom in and out without losing image quality and sharpness is required, this feature can be extremely useful. This Sigma art series lens does not have image stabilisation, but if this isn’t a big deal for you, then you should consider adding it to your camera gear.

Pros

Ultra-wide angle lens with a variety of focal lengths
Constant f/4 maximum aperture
Super Multi-Layer Coating
Hyper Sonic Motor
Made with Thermally Stable Composite (TSC) material
Enhanced with an electromagnetic aperture mechanism

Cons

Heavy in weight
Lack of image stabilization

Zeiss Milvus 21mm f/2.8

The Zeiss Milvus 21mm f/2.8 is the first lens on the list, and it is an expensive manual focus prime lens with a small but dedicated following.

As far as features go, there aren’t any that stand out about this lens, and I’m sure a lot of photographers are wondering if it lives up to the $1843 price tag in any way other than by bearing the “Zeiss” name.

It does, in my opinion, despite the fact that I would never purchase this lens myself. In spite of this, it is one of the sharpest wide-angle lenses I’ve ever tested, and unlike many of the other lenses on this list, it accepts filters (82mm in size).

The “intangible” aspects of a lens’ colour rendition, rendering, or other characteristics are not something I tend to write about. I’ve never met a lens whose images couldn’t be fine-tuned to exactly where I wanted them to be with the right post-processing. Having said that, photographs such as the one below – which I shot with the Milvus and didn’t post-process at all before exporting the RAW from Lightroom – occasionally cause me to rethink my position:

This landscape photo from Glacier National Park in Montana was taken with the Zeiss Milvus 21mm f/2.8. — Captured with the Zeiss Milvus 21mm f/2.8, unedited

Rokinon 14mm f/2.4

For a variety of reasons, I chose the little-known Rokinon 14mm f/2.4 lens over the well-known Sigma 14mm f/1.8 lens.

It is significantly lighter (719 grammes vs 1170 grammes) and half the price ($800 vs $1600) than the previous model. This lens is more palatable for many photographers simply because of these two characteristics.

First and foremost, the image quality produced by the Rokinon 14mm f/2.4 is exceptional. When I used it, I didn’t have a chance to directly compare it to the Sigma 14mm f/1.8, but I did compare its performance for Milky Way photography (which is arguably the most demanding application a lens can be used for) against four other top 14mm lenses in the market. It outperformed them all, exhibiting virtually no coma and flawless sharpness even when used wide open.

Even if you are not interested in star photography, this is an excellent choice for landscape photography. Although it does not have autofocus, it is either the best or second best lens on this list in terms of image quality at 14mm, Best Wide Angle Lens For Nikon FX depending on who you ask. And, once again, the closest competitor in that regard – the Sigma 14mm f/1.8 – is twice as expensive as the Canon lens.

Nikon 18-35mm f/3.5-4.5

The Nikon 18-35mm f/3.5-4.5 G offers similar image quality to the Nikon 16-35mm f/4, but with less weight and a significantly lower price, making it one of the best bargain wide-angle lenses available. It is available for purchase for $750.

The 18-35mm f/3.5-4.5 G does not cover as much ground as some of the other zoom lenses on this list, and it is not as sharp as some of the others (especially corner sharpness at the longer focal lengths). I’ll also point out that the 16-35mm f/4 lens in the photo above, which is the #9 lens, has vibration reduction, whereas this lens does not.

The 18-35mm f/3.5-4.5 G, on the other hand, will save you $350, and it may be worth even more on the secondary market, while providing excellent image quality. As our review demonstrates, the 18-35mm f/3.5-4.5 is a hair sharper overall than the 16-35mm f/4, including in the corners, despite having a smaller maximum aperture. Best Wide Angle Lens For Nikon FX

Consequently, and for obvious reasons, this is one of the primary lenses I recommend to photographers who are considering purchasing their first wide-angle lens.

FAQs – Best Wide Angle Lens For Nikon FX

include the following:

What You Should Know About Nikon Wide Angle Lenses

Q: What is the best wide-angle lens for Nikon in terms of performance?
A: The wide-angle lenses listed below are among the best-performing wide-angle lenses available for Nikon FX format cameras.

Nikon 14-24mm f2.8G VR Zoom-NIKKOR
Lens Description: Sigma 24mm f/1.4 DG HSM Art Lens
Tahitian PF 15-30mm f/2.8 Di VC USD G2 zoom lens.
Nikon AF-S 16-35mm f/4G ED VR Lens (Nikon AF-S 16-35mm f/4G ED VR Lens)
Nikkor 20mm F1.8G ED VR Lens (AF-S Nikkor)
Nikon 8-15mm f/3.5-4.5E ED VR Lens with AF-S Technology
Sigma 12-24mm f/4 DG OS HSM Lens HSM Art Lens (High-Speed Microscope

Q: Which wide-angle lens do you recommend I purchase?
A: If you are interested in wide-angle photography, you should consider purchasing a Sigma 24mm f/1.4 or Tamron’s SP 15-30mm f/2.8 lens.

Q: What is the optimal focal length for a wide-angle lens?
A: It all depends on the situation, but generally speaking, a 24mm lens is the best choice, and for wide-angle zoom lenses, anything between 15mm and 30mm should suffice. Q: What lens should I use? A: It all depends on the situation, but generally speaking, a 24mm lens is the best choice.

Q: Which wide-angle lens is the most effective for landscape photography?
A: For landscape photography, one should get their hands on the Sigma 12-24mm f/4 or the Nikon NIKKOR 20mm f/1.8G ED lenses; both of these lenses have absolutely perfect focal ranges for landscape photographers. The Nikon 14-24mm f2.8G is another excellent premium lens, but it is also quite expensive.

QUESTION: Is 24mm wide enough for landscape photography?
A: Yes, the 24mm lens is adequate for landscape photography, but it is not optimal. Landscape photography will benefit from the use of an ultrawide 14mm lens or a wide-angle lens such as Tamron’s 15 to 30mm wide-angle lens.

Q: What is the best use for a 10-20mm lens?
A: It’s an excellent lens for people who travel frequently; with a 10-20mm lens, you can capture beautiful cityscapes, breathtaking landscapes, and large groups of people all in one frame. Furthermore, such a focal length is extremely appropriate for architectural photography.

QUESTION: Is 35mm wide enough for landscape photography?
A: Well, a 35mm lens is a wide-angle lens, but it’s not really wide enough for landscape photography. A lens with a focal length ranging from 14mm to 28mm will be a better choice.

Q: What is the best lens size for landscape photography?
A wide-angle lens with a focal length between 15mm and 30mm or an ultra-wide angle lens with a focal length of 14mm is the best choice.

Q: What F stop do you recommend for landscape photography?
A: Never use a lower f stop when photographing landscapes because, in landscape photography, it is always preferable to have more of the scene in focus in the frame than is possible. f/8 or higher numbers such as f/12–f/16 are recommended for landscape photography, but f stop numbers as low as f/8 are required for night photography because capturing landscapes at night is not possible without using a low light aperture setting (see below).

Q: What is the difference between wide-angle and ultra-wide-angle lenses? A: Wide-angle lenses are more common than ultra-wide-angle lenses.
A wide-angle lens is defined as one with a focal length of 35mm or wider; however, ultra-wide-angle lenses are defined as those with a focal length of 24mm or wider, such as 14mm, 12mm, 10mm, and so on. A wide-angle lens is defined as one with a focal length of 35mm or wider.
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Conclusion- Best Wide Angle Lens For Nikon FX d750

We’ve gone over everything you need to know about wide-angle lenses for Nikon in great detail, and we’ve provided answers to a variety of questions that people often have when shopping for a new wide-angle lens. Many photographers are perplexed as to which lenses or focal lengths are best for their needs when investing in a wide-angle lens, and we hope that this guide will help to clear up any confusion and assist you in selecting the best wide-angle lens for Nikon FX.

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Here are some of the best wide angle lenses for Nikon FX

Nikon 14-24mm f2.8G